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ghost bridge 1ghost bridge 2

So while waiting for the abortive attempt to visit Exposure at Tate Modern I spent the day wandering along the South bank of the Thames with cameras trying to look for something different.

The foot bridges looked interesting, but covered in people using them (this was about 3 in the afternoon). So, not wanting to wait for 13 hours for sunrise I decided to see how well multiple short exposures would work to ‘ghost’ out the walkers. From the above it seems to have worked well.

I really like the first one of the Millenium bridge. The lighting seems to have worked out nicely and I like the slightly washed out tones. And the backdrop of St Paul’s works nicely. Just a bit of a shame about the fact that the trees aren’t planted symmetrically. Everyone seems to have disappeared, apart from the gentleman in the wheelchair playing the steel drum.

Hungerford bridge turned out a bit differently, definitely a bit more claustrophobic and darker. Was actually crammed into a little nook on the bridge itself so the ‘ghosts’ are more visible. Don’t think this one is quite as sharp, but I think that’s down to a cheap tripod and a little bit of bridge vibration (I did think about doing something similar on the Millenium bridge, but standing on it and remembering it’s vibration problems I don’t think it would have worked).

Taken on a Canon EOS 3 with a Canon EF 50mm f/1.4 lens on Ilford FP4+  @ 125ISO, developed in ID-11 @ 1:1 and scanned on an Epson v500.

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Not as controlled as it could be

Don’t think this Zone’s as closely controlled as Nottingham City Council would like. Or maybe the graffiti only appears after 5pm Mon-Sat?

Canon EOS 300, Canon EF 50mm f/1.4, Ilford FP4+ @ ISO125, developed in DD-X 1+4, scanned on Epson V500

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Sudbury hall stumpSudbury Hall stump

Really loving the crispness and textures that I’m getting with the black and white film, being able to see all the saw marks on these stumps. And the extra isolation from the lager film area is great as well, really like the way that the backgrounds on these 2 photos are full but they’re cut off from the main point of the photo.

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Wormrot @ The Old Angel, Nottingham, May 2010

Finally they’re up. Far too much stuff on at the moment, but here’s the photos from the Wormrot gig at The Old Angel all the way back in May. Top sweaty night of grindcore.

Tried something slightly different with the PP on these and it seems to have come out nicely, almost a selenium toning effect. Thinking that might have been helped that I shot them at ISO 800 and developed for IS1600 (Oops)

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Twig on step

A little budding twig found randomly lying on some steps while wandering along Castle Boulevard in nottingham. I liked the textures in the shot, shame I blew the highlight on the buds though. Still getting to grips with exposing for film, there isn’t the helpful blinking histogram like there is on the back of the DSLR unfortunately.

Photograph taken on Canon EOS3, Canon EF 50mm/1.4 on HP5+ @400ISO, developed in Ilford DD-X and scanned on an Epson v500.

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Luxury Stranger playing at The Old Angel, Nottingham, May 2010Luxury Stranger playing at The Old Angel, Nottingham, May 2010

Following on from the Screaming Banshee Aircrew photos we have the headliners, Nottingham’s own Luxury Stranger (myspace).

Another band I’ve not seen for a while running around with other things. But they’ve just got back from playing at Leipzig, so things seem to be looking up. Recommended for those who like their old skool Cure or Echo and his Bunnymen.

Colour ones taken on the 30D, black and white on the EOS 3

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Screaming Banshee Aircrew playing at The Old Angel, Nottingham, May 2010Screaming Banshee Aircrew playing at The Old Angel, Nottingham, May 2010

Been a while since I’ve seen Screaming Banshee Aircrew play (last time may well have been supporting The March Violets a couple of years ago (Pictures). There appear to have been some lineup changes (I’m sure I remember more than 4 in the band?) and a change in sound. There definitely seems to be a bit more of an edge to their sound these days. But it still sounds good, or at least as good as it can through ear plugs 12″ from the PA (my fault not theirs).

Took the EOS 30D out for a play as well for a bit of a change, so there’s some colour this time.

Black and white pictures take on a Canon EOS 3 on Ilford HP5+ @ 1600, some with flash, some without.

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Sudbury Halls steps and ballsSudbury Hall ball

More playing with film. A quick couple of shots from a trip to the National Trust’s Sudbury Hall.

I like the perspective in the first one, though I should have been a little more careful with the framing of the bottom ball. While the viewfinder on the EOS 3 is larger than the 30D it’s still not 100%.  I think kneeling down would have helped this shot a lot as well, if I could have place the centre point just about the middle step maybe, though then there wouldn’t have been quite the same sense of perspective. That and it was a filthy day so I’d have got muddy, note to self; one must suffer for one’s art.

I do like the tones in the 2nd one. The ball looks almost like a small moon. And there’s enough apparent ‘depth’ that it still seperates nicely from the wall at the back. Divided on the almost complete shadow at the bottom, while it definitely helps to define the shape of the ball, it would be nice to have some detail in there. Possibly a touch more exposure, or maybe a reflector of some sorts?

Taken with a Canon EOS 3, Canon EF 50mm f/1.4 lens and Ilford HP5+ @400. Developed in Ilford DD-X. Scanned on an Epson v500.

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Boss on a wall in The Park, Nottingham

Not the greatest sight in Nottingham, but I do like the contrast and tones in this one. Would have been nice not to have to shadow cast by the central nut, but I didn’t have a flash on me and the EOS 3 doesn’t have a built in.

Wonder how this would work with filters? Another plan at some point is to head out with the tripod to find a suitable test subject and then work through trying out lots of filters to see exactly what they do. I’ve tried a red filter a couple of times, but it doesn’t seem to have made a major difference, which isn’t what I was expecting.

Canon EOS 3, Canon EF 50mm f/1.4, Ilford HP5+ @ ISO 400, developed in DD-X, scanned on an Epson V500

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Ok, getting very tardy with band photos now. These ones date from the 8th May, but I blame having too  much fun at other gigs in the mean time :).

This was a bit of a strange one. Just a couple of songs performed just outside The Heavy Sounds shop in the middle of the West End Arcade in Nottingham. Don’t really know much about the band, except they’re a 2 piece consisting of guitar and drums, and that this event was to celebrate the launch of their debut 10″. Pretty good sounds, but I haven’t managed to get back down and pick up a copy, oops.

Knifecutter @ The Heavy SoundsKnifecutter @ The Heavy Sounds

After this the bands just kept on coming as I traipsed up to The Old Angel for Wormrot, Unkind and a couple of others. Photos from that gig should be up pretty soon. Though I’m about to head out to Luxury Stranger and Screaming Banshee Aircrew, so I’m going to have even more to develop and process.

Canon EOS 3, Sigma 24-70 f/2.8 EX DG, Ilford HP5+ @ ISO 400, developed in DD-X, scanned on an Epson V500

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